Eat, Read, and Be Mommy

I meant to post on the 13th, folks–I really did–but between my hubby and I finishing his birthday puzzle (a 2,000 piece Star Wars extravaganza) and the horrid, constant dripping of my nose, I didn’t manage it. That dripping presaged a day of feeling pretty awful–yesterday–but I still can’t tell if I’m beating back the allergies that are trying to cause a sinus infection or just suffering through a fast-moving cold. (There’s some evidence for both.) Either way, I’m feeling most grateful that when I saw Kleenexes on coupon at Costco last week I bought two packs. (Once upon a time, at the beginning of a previous year’s allergy season, I only bought one–and I still remember regretting it.)

By the way, when your nose is dripping and you’re about to sneeze, finding nothing but Barbies in the living room Kleenex box can bring on intense (if relatively brief) feelings of frustration with your offspring. Just saying.

Anyway. Since shower time is fast approaching, I shall quickly highlight George Dunn’s latest “Breaking Cat News Adventure,” Elvis Puffs Out. The last third of it takes a decidedly odd turn, but it’s still an entertaining look at cats, occasionally kids and other animals, and the people who love them. I’ve noticed that the three books with cats’ names in the titles seem to be published specifically for younger readers, unlike the initial BCN collection, and the writing reflects this. My girls were split on whether or not they enjoyed the last one, so we’ll see who ends up reading about Elvis; in the meantime, sleep well, peeps!

Okay, okay, the cover says that Class Act is a companion to New Kid, but it follows it chronologically and it’s about the same characters. (Although, come to think about it, the first book might have been mostly from Jordan’s point of view? Class Act is possibly more omniscient than its predecessor, but it’s 10:24 and I’m most definitely overthinking this.)

Anyway. The important point here is that dang, Jerry Craft is good. He manages to tell a humorous AND poignant ‘school story’ in an utterly thought-provoking way, and he represents different points of view with compassion and understanding. Books like this give me hope for our world–hope that we can figure out how to be kind, that we can see each other as human beings and children of God, and that by getting to know each other and communicating as friends we can build bridges right over our differences. I’m looking forward to handing this one over to my older girls.*

*I also loved the book allusions at the beginning of each chapter. Seriously, though, is Jordan’s mom going to let him go to art school? Inquiring minds want to know!

My most recent book group read The Tattooist of Auschwitz for last night’s meeting, and I squeaked in just under the wire, finishing it the night before. (Go me!) Last night’s discussion seemed to focus mostly on whether it painted a realistic picture of Auschwitz or not, but to me, the point was that it paints a different perspective of Auschwitz than any I’ve seen before. The tattooist held a privileged position, and while the horrors of the camp proper are there, they play more of a background role to Lale’s experiences and his and Gita’s love story. (To be honest, I was just as caught by the contrast between Lale’s continued promises of survival–both to himself and Gita–and the periodic probably-fatal circumstances in which he and/or she found themselves. Gita’s point of view made far more sense to me.) At the end of the day, what matters most is that it is a compelling book, a story of love and survival–and not just Lale and Gita’s love. It’s a novel based on a true story rather than a Holocaust narrative, and that’s generally a little less my thing, but Tattooist is most definitely a worthwhile read.

I didn’t want to just skip another post–my track record has been a bit spotty of late–but I couldn’t manage a book review because I was finishing my audiobook. (And chatting with my hubby, and listening to a conference talk, and coming home from a combined youth activity with my older girlies.) I’ll manage on Friday, but for now, well–I should have been in the shower an hour ago. Pleasant dreams!

Okay, I admit that I could have posted on April 1st and just didn’t get to it; I’d posted the day before, however, and when push came to shove, I couldn’t quite make myself do it instead of other things. The 3rd, however, was General Conference Saturday, and the day we did Easter baskets, and then we packed up and stayed the night at my in-laws’ for Easter and more General Conference and my hubby’s birthday the next day. (Bless my mother-in-law–she totally made his birthday breakfast. My amazing family blows me away.) Posting, well…didn’t happen.

Obviously.

Today, however, as I was packing a variety of things to take to my niece so that SHE can take them to my family in Idaho this weekend, it occurred to me that if I finished BOX: Henry Brown Mails Himself to Freedom today, I could review that and return it to the library tomorrow. (Supposedly the library has downgraded their quarantine period for returns to 24 hours instead of 72, and while evidence suggests that it’s going to be a process and isn’t exactly happening yet–or at least not with consistency–one still wonders if that means that the items out limit will be going back down to fifty in the not-so-distant future. This is, in case you’re wondering, a concern, which is why returning any book possible has heightened appeal.) I did have to start it again–I’d gotten distracted–but since it’s picture book-ish, I still managed to finish it. Hence, this review!

I have to say, while the blank verse felt more like careful prose arranged in (with one exception) deliberate six-line stanzas, it was a powerful book. Michelle Wood’s illustrations added a great deal, and together she and Carole Boston Weatherford told a story that I hadn’t heard before. Just the idea of cramming my body into a box that size makes me shudder, but–what price freedom? While I found myself wishing that Henry’s story could have ended differently, family-wise, the truth felt heartbreakingly real. I’m not sure how young readers will react to the format, but the story is an amazing part of our history.

BOX is most definitely worth the read.

I don’t feel terribly guilty for missing on Monday, because the kiddos and I spent two nights in Kanosh with friends for the start of spring break. (We were going to go to Idaho sometime this week, but my brother and sister-in-law and an indeterminate number of their children had Covid.) My older girls were thrilled to spend time with their friends again–sisters who were in their respective classes for years–and my younger kids made friends with the sisters’ siblings whose ages (and genders) best matched their own. (I enjoyed their parents, who are thoroughly lovely people.) Good times all around! We went to their local hot springs–‘hot pots’–and the Kanosh Mercantile, affectionately known as the Merc. There was a fire and smores, games and chatting, and I’m so glad we went!

We were, however, gone on Monday.

Anyway. While there, I managed the last few pages of Take It Away, Tommy!: A Breaking Cat News Adventure, and I’ve decided that the series is getting better with each book. It’s still for cat lovers, of course, and I’m honestly not sure what my kiddos will think of it, but the level of religious profanity has dropped significantly, and the ghost story element in this one makes it a bit more plot-driven than Dunn’s previous installments; I’m willing to give it to them and see. In the meantime, I’m looking forward to the next book (which I think is actually out!) more than I’d expected to. Good times again, right?

Here’s hoping the rest of spring break goes smoothly–for everyone involved!

I won an advance copy of Michelle Gable’s I’ll See You in Paris in November of 2016; I finally finished it this month because hey, I had an 18-month-old back then, and I’m STILL catching up. (This is not news.) And oh, how I wish I’d liked it better! I always appreciate winning an advance copy (and I’m working towards being more timely with my responses), but I also give honest reviews–and so, here you are.

What I liked:
1. The story of the Duchess of Marlborough. Seriously, why hasn’t there been a movie about this woman? And if there has been, why don’t I know about it?
2. The tone of the fictitious book that started Annie’s journey. It was dry and witty and thoroughly entertaining.
3. Most of the British characters, more or less. They were relatively well-drawn.

What I didn’t:
1. Annie. She was a teenager, a college student, drifting, purposeful, rebellious, a mommy’s girl–she was whatever Gable needed her to be to move her plot along. What she WASN’T was a believable recent college graduate with her stated backstory.
2. The military fiance. He felt like a paper character and a plot device, and any talk of his and Annie’s relationship (or him at all) felt completely contrived.
3. The gratuitous language. There did NOT need to be that many F-words, or that much language in general. It, too, felt contrived.
4. Laurel. She didn’t really make any more sense than Annie did.

Conclusion:
If Michelle Gable had turned her research into a nonfiction exploration of the Duchess, I would have enjoyed the book far better. It’s not that the concept didn’t have promise–the trip to England, a mother’s hidden past, a daughter’s fascination with a decades-old mystery–but the execution was underwhelming. It’s obvious from its reviews on Goodreads that not everyone agrees with me, so if you don’t know me well, it’s entirely possible you should read it for yourself. If you do know me well, I would have recommended it to you if I’d thought you’d like it–and I didn’t.

Oh, my goodness, how I loved Tae Keller’s The Science of Breakable Things. (To be honest, I sort of wish that it had won the Newbery Medal instead of When You Trap a Tiger, but it’s possible that’s because I’m less into the latter’s mysticism. I don’t read much fantasy anymore.) Natalie’s struggle with her mother’s depression tugged at my heart, and not–I don’t think–only because I know what it means to love someone who suffers from depression. (I also know what it feels like to suffer directly, but mine was post-partum and relatively short-lived.) There is such love in this book–family love, friend love, and the other-adult kind of love that adds so much to our children’s lives. Despite what the Beatles claim, however, love is often not all we need, and while Natalie has support and a safe environment, the need for open communication about the issue becomes stronger and stronger. (Which is poignantly and all-encompassingly realistic.) In the meantime, she’s desperately hoping to win a local egg-drop competition so that she can use the prize money to take her mother on a trip that Natalie believes will ‘fix’ her. She, her best friend Twig, and their newly-gained friend Dari are all in, seeing their mission through to the very (unexpected) end.

I really, really loved this book.

On the other hand, while I can’t remember if I’ve EVER included a trigger warning before, proceed with caution if you’re floundering in the wake of your or a loved one’s depression. It may be helpful and/or cathartic; it may also hit painfully close to home. Only you can make that call.

Read it, though, if you possibly can.

Although I suppose having houseguests didn’t help my bedtime on Friday, and Sunday night I just couldn’t sleep. I was tired enough, however, and drained enough from the day that I didn’t have a post in me. Luckily, I did manage to get to bed a bit earlier last night!

Anyway. I checked out Lynda Mullaly Hunt’s Shouting at the Rain shortly after finishing Fish in a Tree, since that was so good, and after listening to Shouting at the Rain, it’s official–I’m a Mullaly Hunt fan. (And while the narrator didn’t attempt an accent and New England wasn’t a character in and of itself, Delsie did order jimmies on her ice cream, making the setting feel successful.) Delsie’s friendship experiences should resonate with the intended audience, not to mention her parent/grandparent arrangement. The pain of Ronan’s past balances out the perfection of the ending, and while it might not be completely realistic, it is definitely satisfying. I honestly expected there to be more of a theme of class/financial differences than there was, but Mullaly Hunt clearly preferred to focus instead on friendship and family (both biological and chosen), and that worked. This is a book with characters you want to know and a whole lot of heart.

My 11-year-old should love it.

I’ve had Kakapo Rescue: Saving the World’s Strangest Parrot checked out for quite some time (like I usually do), serving as a Sibert winner representative on my to-read shelf. (Shelves. And technically, it’s the size of a picture book, and so it was in the to-be-read picture book pile.) My second girlie is an animal lover, however, and while we were waiting for Susan Patron’s 3rd “Lucky” book to come in at the library, it occurred to me that we could read about parrots in the meantime.

Big parrots.

Big, nocturnal parrots.

Big, nocturnal, flightless, underground-living parrots who are highly endangered. (Although the world population has more than doubled since the book was written, which isn’t hard when there were less than a hundred of them at the time.)

Anyway. It was both a fascinating and a mind-boggling book, given the factors involved in kakapo parrots becoming so endangered and the breadth (and expense!) of the rescue effort on their behalf. (Also, many of the photographs were so cute!!!, according to my girlie.) Any animal or science lover ought to enjoy this one!